‘Hyperlocal’ Web Sites Deliver News Without Newspapers

April 13th, 2009

When local newspapers fail, can hyperlocal websites deliver? This excerpt from The New York Times:

The sites, like EveryBlockOutside.in,Placeblogger and Patch, collect links to articles and blogs and often supplement them with data from local governments and other sources. They might let a visitor know about an arrest a block away, the sale of a home down the street and reviews of nearby restaurants.

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Secretive International Piracy Deal

April 12th, 2009

pirate-flag James “Dela” Delahunty posts:

“Cross-border trade in counterfeit and pirated goods is a growing global problem that often involves organized criminal networks,”

The information released shows how 37 countries are working to find a way to cut copyright infringement and counterfeiting globally. Interestingly, the summary indicates that the countries are trying to figure out how to (if at all) involve Internet Service Providers (ISPs) in the fight against piracy.

Link to PDF document.

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Statutory Damages in Copyright Law: A Remedy in Need of Reform

April 12th, 2009

This from Prof. Michael Scott: (twitter-CopyrightLaw):

A working paper coauthored by noted copyright law scholar Prof. Pamela Samuelson of the University of California Law School, and Research Fellow Tara Wheatland, discusses, in depth, various issues regarding statutory damages under the Copyright Act.

PDF of paper here.
Temp. link for Easter weekend.

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Student Protests Are Turning Into A Twitter Revolution In Moldova

April 8th, 2009

This from Leena Rao  on TechCrunch:

Students in Moldova are using Twitter as a tool to mobilize opposition against a communist victory in Moldovian elections. According to reports, close to 10,000 protesters gathered at Moldova’s parliament in Chisinau, Moldova’s capital and were able to eventually break through police lines to storm into the building. From looking at the tweets on the subject, it appears that the demonstration turned into a violent coup attempt.

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That Whining Sound You Hear Is The Death Wheeze Of Newspapers

April 7th, 2009

printing-pressErick Schonfeld has a post on TechCrunch summarizing the kuffufle around newspapers, Google, and business models:

The newspaper industry is making a lot of noise these days about the Web “stealing” its content and destroying its business. Invariably, the newsmen point their ink-stained fingers at blogs, which arenothing more than “parasites”, or at Google, which is supposedly aiding and abetting in the wholesale theft of the newspaper’s precious words. Rupert Murdoch, owner of the Wall Street Journaland other fine (and not-so-fine) publications, recently warnedthat the industry should no longer allow Google “to steal our copyrights.” And yesterday, the A.P. declared all out war against the Internet.

PaidContent.org has an interview with Dean Singleton, AP Chairman. According to Singleton:

I think our industry has been very timid about protecting our content, probably because we’ve done so well in the past few years that we didn’t recognize that misappropriation is as serious an issue as it is. As we’re now relooking at business models, it’s become clear that we must protect the rights of our content…

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The Net Effect

April 7th, 2009

googleimplantThis from OntheMedia:

Is Google making us stupid? Is it making us smarter? Have we lost our ability to concentrate? Are we more social or more isolated as a result of our constantly interconnected lives? Brooke Gladstone takes a look at some of the research that attempts to answer the question: how is the internet affecting our brains?

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Google: Threat or Menace?

April 6th, 2009

John Murrell posts in his daily Good Morning Silicon Valley blog, this story that links to a number of opinions on the Google of our lives:

The ever popular “Google: Threat or Menace?” debate went up a few decibels after comments last week from two very diverse sources, media mogul Rupert Murdoch and a group of U.K. musicians that included Billy Bragg and Robin Gibb, and then momentarily reached a screech at a frequency well beyond human hearing with a Sunday opinion piece by the Observer’s Henry Porter. The common theme was that Google, having become extremely successful at meeting the essential need of finding things on the Web and and extremely rich attaching advertising to its search results, now has the responsibility to support the business models of the disrupted industries whose content it indexes.

In the course of contending that newspapers need to stuff the toothpaste back into the tube and start putting their content behind subscription walls (“People reading news for free on the Web, that’s got to change.”), Murdoch recommended a policy of non-cooperation with the search sovereign: “The question is, should we be allowing Google to steal all our copyright … not steal, but take. Not just them but Yahoo. If you have a brand like the New York Times or the Wall Street Journal, you don’t have to. You can say thanks but no thanks.” Murdoch’s Journal is, of course, one of the few newspapers with the clout and the audience demographics to charge a subscription online, but then again, it lets you read full versions of its stories for free if you click through from Google News, so it must find some value in traffic brought in by search, even if that undercuts the boss man’s argument.

The musicians, too, seem to expect Google to subsidize their industry’s status quo because not to do so is “unfair.” They’re angry because Google has chosen to take music videos down from YouTube in the U.K. rather than pay a new royalty fee for each viewing. Accusing Google of “using its monopoly in the marketplace to dictate terms” and saying it “ascribes little value to music,” the musicians contended, “Royalties are a vital income source for all professional creators and must be preserved to ensure a continued vibrant music industry. We trust that Google will reinstate music on YouTube and pay a fair price for it.” No mention was made of the marketing value of exposure through YouTube, which one might think would enter into a “fairness” equation — if, that is, Google had any reason to defend its decision on those grounds. In reality, it’s a business making a business decision, namely, according to a spokesman, that YouTube “cannot be expected to engage in a business in which it loses money every time a music video is played.”

And the Observer’s Porter … well, let’s let the diatribe, which cites both the newspaper conundrum and the music video kerfuffle, speak for itself. Google, he says, is an “amoral menace,” a “classic monopoly that destroys industries and individual enterprise in its bid for ever greater profits” and is “a parasite that creates nothing, merely offering little aggregation, lists and the ordering of information generated by people who have invested their capital, skill and time.” He goes on: “One detects in Google something that is delinquent and sociopathic, perhaps the character of a nightmarish 11-year-old. This particular 11-year-old has known nothing but success and does not understand the risks, skill and failure involved in the creation of original content, nor the delicate relationships that exist outside its own desires and experience. There is a brattish, clever amorality about Google that allows it to censor the pages on its Chinese service without the slightest self doubt, store vast quantities of unnecessary information about every Google search, and menace the delicate instruments of democratic scrutiny. … This brat needs to be stopped in its tracks and taught about the responsibilities it owes to content providers and copyright holders.” Berin Szoka of the Technology Liberation Front takes issue with the “creates nothing” contention, and TechCrunch’s Michael Arrington saysall the whining in the world won’t turn back the clock: “What Porter and Bragg want is a subsidy from Google. A sort of welfare tax on a profitable company so that they can continue to draw the paychecks they’ve become accustomed to. That isn’t going to happen, and all this hand wringing isn’t helping to move their respective industries toward a successful business model. They either need to adapt or die. And they’re choosing a very noisy and annoying death.”

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Authors have lost the plot in Kindle battle

March 31st, 2009

kindle-2

Cory Doctorow’s post on gaurdian.co.uk views Amazon’s Kindle 2 text-to-speech feature is not so much violating authors’ copyright but rather basic consumer rights. On the subject of text to speech:

But ultimately, the legality of the feature is irrelevant – as is the nonsensical discussion about whether the Kindle’s text-to-speech is (or will someday be) as good as a commercial, human-generated audiobook (the answers being, “No,” and “The day that artificial intelligence gives us perfect Kindle readings, we’ll have bigger fish to fry than audiobook rights”).
The reason it’s irrelevant is that Amazon wants to get licenses from members of the Authors Guild in order to sell their books in the Kindle store.

And when Amazon goes to those members, they can simply say, “No, I won’t let you sell my books because the Kindle has a text-to-speech capability and I don’t like it.” No need to go into bizarre, long-winded speculations about whether copyright law requires Amazon to build copyright enforcement into its devices, or whether Jeff Bezos’s crack team of AI wizards at Amazon are about to unleash an army of superintelligent artificial voice-actors, sandwiched within the Kindle’s slender chassis.

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Larry Lessig at TED speaking about creativity & copying

March 30th, 2009

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Are Tweets Copyrighted?

March 30th, 2009

Mark Cuban asks: (and a lively discussion ensues)

Are Tweets Copyrighted ?

Here is a question for all you legal scholars out there.  Is a tweet copyrightable ?  Is a tweet copyrighted by default when its published ? Can there possibly be a fair use exception for something that is only 140 characters or less ?

I got to thinking about this when I tweeted about an NBA game.  I tweeted to the people who follow me.  While I never asked that they not distribute it to other tweeters,  i did not give anyone permission to republish my tweets in a commercial newspaper, magazine or website.

So when an ESPN.com or any other outlet republishes a tweet, have they violated copyright law ?

Is twittering the process of publishing in 140 characters or less, or is it a private communications to those that follow you ? Even if you dont block outsiders from seeing it ?

You could also extend this to Facebook. Do you own your status update ? Is it a private communications between you and friends, or is a published work ? If a newspaper or website wants to publish your status update, do they need permission first ?

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